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OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
OBSCURAELucie Neale
OBSCURAEUmnia El-Neil
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OBSCURAEUmnia El-Neil
OBSCURAEUmnia El-Neil
Here at OBSCURAE, we've always championed short storytelling as the hunting ground for your next favourite filmmaker – and encouraged you not to skip the shorts programme! Welcome back to our Short film review series, Sweet and Short. Back in 2014, I saw a video from the charity Save
I'd really like to know what the experience of watching Big Boys is like for someone who doesn't adore the music of Will Wiesenfeld (aka Baths) – because I sure don't. My love of Will’s music is what led me to this movie, but
Trier's typical patient, Norwegian lens does not provide any revelation, but still brings a considered craft to a story of Generational Trauma.
In a cinematic landscape mostly plagued by cynicism and IP fatigue, Project Hail Mary arrives not a second too soon.