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This review comes to us from our On-The-Ground correspondent and Santa Barbara native, Jack O’Mahoney. This is a propaganda film. Let me explain. For a political documentary centering on the fallout of the 1979 Iranian Revolution, and clearly produced for a “Western” (likely US American) audience, My Stolen Planet
Festivals
The premise is delightful and intriguing, despite it not being the first film to explore this idea. What makes this short stand out is the beautiful, genuinely delivered final dialogue that holds the emotional core of the film. ‘4th Dementia’ takes you by the shoulders through its first act of
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On the surface, as explained, the film seemed to be a heist movie or a spy thriller. It focused on a woman whose job was to infiltrate and uncover affairs, using social tricks of the trade to reveal the true dramas and dismantle the relationships between husbands and mistresses from
It is one thing to make a film about Claressa Shields’ back-to-back Olympic gold medals. It’s another thing to make a film about Flint, MI’s Golden Girl. Hiding behind a sports biopic is a deeper look at the inequity and imbalance of the sports industry, and the ways
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This review comes to us from our On-The-Ground correspondent and Santa Barbara native, Jack O’Mahoney. Wild Gleaming Space is a documentary that is equal parts lyrical and investigative, and so beautifully shot I thought it was a narrative film until about twenty minutes in. Beginning in the Panamanian rainforest,
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I have told everyone i’ve ever met who operated in the Film age how much I do not envy them one bit. I am a kid who knows how to respect my elders - and the work that went in to making a movie back in the day is
Festivals
UMNIA is the Editor-in-Chief & Primary Festival Correspondent for OBSCURAE, as well as a massive fan of ✨Camp. Mistress Dispeller A messy family doc with affairs and cheating? Camp. Coup 53 Ralph Fiennes narrating the interview an MI6 Agent admitting to plotting the Iranian coup of 1953? Camp. JANE AUSTEN
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In it’s outings at the festivals, this quiet camcorder documentary surrounding intergenerational trauma has won the LFF Audience award, and garnered praise from the Guardian and the Evening Standard. I think this is a bit of a watershed moment for Women of Colour in the British Film ecosystem. Though
