Festivals
Ride Or Die | OBSCURAE at TriBeCa
With Ride Or Die, Josalynn Smith transfuses grungy 90s dissatisfaction into the chassis of a beautifully shot modern feature, painted red, peeling to blue, then blossoming to a pale lilac.
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Festivals
With Ride Or Die, Josalynn Smith transfuses grungy 90s dissatisfaction into the chassis of a beautifully shot modern feature, painted red, peeling to blue, then blossoming to a pale lilac.
Festivals
A gripping portrait of the depths you can sink to when you're grief stricken and your husband truly hates you.
Film
Fior Di Latte punctures wacky with doses of real, and Charlotte Ercoli uses the madness like an easel to paint a woefully accurate portrait of addiction.
Music
Marina’s new album is an invigorating blend of past, present and future, where vulnerability meets camp to birth pop perfection
Film
Twinless is slightly sorta like Vertigo, on poppers, running on the energy of an off the walls 2000s movie laced with the spirit of a Hitchcockian thriller.
Film
Esta Isla films in the dialect of Tropical Realism, austere and surreal, a bit verité: it makes no attempts at hiding because it holds itself plain to see.
Festivals
Lemohang Jeremiah Mosese wants to talk in feeling - if you're ready to listen.
Festivals
With a grounded plot and beautifully integrated experimental elements, Carmen Emmi spins gold.
Festivals
Paradise Records is of a lost artifact type, when punky, punchy storytelling was the rage. It's tone more flaccid in spaces, its pace bogged, trips on jokes better off left on the cutting room floor, yet the heart is there and the ride lively.
Festivals
A tender and compassionate profile of one of the most influential trans voices in the UK, who has been so disrespected by her country, and yet has continued to thrive on the global stage.
Festivals
A wild and surprising (and heavily British) action comedy of the absurd from Director Tom Kingsley is a treat - and made on a budget that is surely a recession indicator.
Festivals
Paula Gonzalez-Nasser brings her background as a professional location scout for a metatextual meditation on the arrangements we make of the places that we live in. Her camera stoic, purposeful, and never once without a point to what it's capturing.